In the excerpt from A Night in a German Munition Factory, Kestien describes the dangerous working conditions that the factory workers had to endure. She sets the scene in this piece by explaining how women had to work during the night shift, in order to be able to tend to their families during the day. They worked long strenuous hours in an unsafe environment, breathing in ether throughout their shift.
The effects of ether gave some a "paralysing weariness" that interfered with their vision. It was these sleep deprived women, loopy from the ether, that had to operate razor sharp equipment that needed to be maneuvered precisely. Kestien writes of the fast pass that they were forced to work at. The author told of an incident in which a woman's left hand got severed while operating a cutting machine. This women couldn't afford not to work because her husband, lying in the hospital, was recovering from his own wounds he received in battle. Having four children at home she did not want to leave her post in the factory, until she realized the survevaty of her wound. After receiving medical care this women appeared relieved that it was her left hand so she could still function with her dominate hand."It was at night that weariness crept into the limbs, especially around midnight, before the big break, when the air in the room had become dense and sticky.
Because of this injury, the armed guards were not pleased that the machines had to be shut down, they ordered the women to resume working as the injured women was being carried off to the hospital.
Hello, my name is Brian and I came across this post while researching my family tree. The woman you are writing about (Kate Kestien) is my Grandmother's Aunt. Her real name was Mary Harder; Kate Kestien was her pen name. My Grandmother told me Mary was forced to flee Germany in 1936 by Hitler's forces. She died in a plane crash in Bolivia that year. I was wondering if there was any more information you had on either her or the books she wrote? I am trying to find out all I can for my Grandmother, and possibly find copies of her books for myself (my Grandmother has one of her books currently loaned out to another family member). Any help you can offer would be wonderful, thanks in advance.
ReplyDeleteBrian
Dear Brian,
DeleteI am a german filmmaker, working on a film about Weimar Cinema. one of my favourites is LOHNBUCHHALTER KREMKE by your gandmum. I was wondering, if you had any - perhaps detailed - information about her biography and work, as she is totally forgotten in her home-country. What a shame!
As well I am looking for a photography of her and/or any more inteesting information.
Please write under my e-mail: suchsland@gmx.de
RĂ¼diger Suchsland
my project:
http://www.looksfilm.tv/de/von-caligari-zu-hitler
Dear Brian,
ReplyDeleteI am a german filmmaker, working on a film about Weimar Cinema. one of my favourites is LOHNBUCHHALTER KREMKE by your gandmum. I was wondering, if you had any - perhaps detailed - information about her biography and work, as she is totally forgotten in her home-country. What a shame!
As well I am looking for a photography of her and/or any more inteesting information.
Please write under my e-mail: suchsland@gmx.de
RĂ¼diger Suchsland
my project:
http://www.looksfilm.tv/de/von-caligari-zu-hitler